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The curious case of maxixe dancing: From colonial dissent to modern fitness
Atlantic Studies ( IF 0.3 ) Pub Date : 2020-01-02 , DOI: 10.1080/14788810.2019.1696620
Cristina Fernandes Rosa 1
Affiliation  

ABSTRACT The primary goal of this study is to shed new light on the meteoric rise (and fall) of maxixe dancing, from Rio de Janeiro’s practices and performances in the late 1800s to its international explosion in Parisian venues in the 1910s, and subsequent codification in USA dance manuals published in 1914. Building on my previous scholarship, I examine how different kinds of bodies have articulated maxixe at four distinct scenarios, paying close attention to the positionality of female partners and their interactions. Using the scholarship of Savigliano, Velloso, Kraut, Goldman, Lowe, Foster, Santos and Mignolo, I address (a) how this partner dance functioned at the bodily level (how it was executed or described), (b) the (socio-political) roles it assumes and (c) the effects it produces (from discourses to affects).

中文翻译:

马克西克斯舞蹈的奇特案例:从殖民异议到现代健身

摘要这项研究的主要目标是,从1800年代后期里约热内卢的习俗和表演,到1910年代在巴黎场馆的国际爆炸,以及随后的编纂,对maxixe舞蹈的飞速上升(和下降)给予新的认识。美国舞蹈手册于1914年出版。在我以前的奖学金的基础上,我研究了不同类型的身体如何在四种不同情况下铰接上颚,并密切关注女性伴侣的位置及其相互作用。利用萨维利亚诺(Savigliano),韦洛索(Velloso),克劳特(Kraut),高盛(Growman),劳氏(Low),福斯特(Foster),桑托斯(Santos)和米格诺洛(Mignolo)的奖学金,我阐述了(a)这种伴侣舞在身体上是如何发挥作用的(如何执行或描述),政治角色)和(c)它产生的效果(从话语到情感)。
更新日期:2020-01-02
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