During World War II, Georgia O’Keeffe created a series of foreboding paintings of New Mexico’s Bisti Badlands, which she named the “Black Place.” Produced within a wartime image ecosystem in which photographs, films, and cartography vividly communicated the power of air war to obliterate humanity and nature, O’Keeffe’s “Black Place” series grappled with the war’s destruction and shifts in perceptions of time, distance, and place. In its tense engagement with a new technological and visual world, the Black Place series finds kindship with the art of the bourgeoning generation of Abstract Expressionists.

中文翻译：

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乔治亚·奥基夫（Georgia O'Keeffe）的“黑场”

第二次世界大战期间，佐治亚·奥基夫（Georgia O'Keeffe）创作了一系列新墨西哥比斯蒂荒地（Bisti Badlands）的先驱画作，她将其命名为“黑场”。奥基夫（O'Keeffe）创作的《黑色场所》系列是在战时图像生态系统中实现的，照片，胶片和制图术生动地传达了空战消灭人类和自然的力量，致力于应对战争的破坏和对时间，距离和视野的转变。地方。在与新技术和视觉世界的紧张互动中，“黑地”系列与抽象表现主义的新兴一代艺术相得益彰。