Abstract Wieland’s idealizing treatment of ancient Cynicism in his novel Σωκράτης μαινόμενος oder die Dialogen des Diogenes von Sinope (1770) provoked a critical response from the young Goethe. The elements of Cynicism Wieland took care to extrude were turned by Goethe into a set of positive ideals. Not only his Götter, Helden und Wieland (1772), but a number of shorter dramatic works of the period, including Satyros (1773), profited from this inversion of values. However, this aesthetic divergence should not obscure the fact that both Wieland and Goethe were drawn to Cynicism because of its significance as a testing-ground of Enlightenment thought.

中文翻译：

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维兰，犬儒学，歌德

摘要维兰德在他的小说《狄金森·狄金诺斯·冯·西诺佩》（1770）中对古代犬儒主义的理想化处理引起了年轻歌德的批判性回应。愤世嫉俗的维兰德小心翼翼地强调自己的元素，被歌德转变为一系列积极的理想。不仅是他的Götter作品《 Helden und Wieland》（1772年），而且包括萨特罗斯（1773年）在内的许多较短的戏剧作品都得益于这种价值观念的转变。但是，这种审美差异不应掩盖维兰德和歌德都被犬儒主义吸引的事实，因为它作为启蒙思想试验场的重要性。