ABSTRACT At this ‘needy time’ in which humanity has been deteriorated into just dominance over nature through modern technicity, Martin Heidegger introduced art as the only way to overcome this modernity crisis. Art has a special place in the perspective of this German philosopher. Art in its ontological sense is the manifestation of truth; and the truth itself is the manifestation of being. In Heidegger’s view, every work of art, in its essence, is poetry; and poetry is as extensive as language. Language has also an ontological interpretation as the genesis of being and truth. This article initially attempts to delve deep into Heidegger’s essay The Origin of the Work of Art; and then moves on to analyze the essence of art and beauty and its source from the perspective of some Muslim thinkers in order to show that Heidegger’s philosophical horizons on art are not unfamiliar to the Islamic Orient.

中文翻译：

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海德格尔的艺术哲学及其与穆斯林思想家学说的关系

摘要在这个“弯腰的时代”，人类已经通过现代技术沦落为对自然的支配地位，马丁·海德格尔（Martin Heidegger）将艺术作为克服这种现代性危机的唯一途径。在这位德国哲学家看来，艺术占有特殊的位置。艺术在本体论意义上是真理的体现。真理本身就是存在的体现。在海德格尔看来，每件艺术品本质上都是诗歌。诗歌和语言一样广泛。语言还有一个本体论解释，作为存在和真理的起源。本文最初试图深入研究海德格尔的论文《艺术作品的起源》。