ABSTRACT In this article, I connect the resistant, sociopolitically expressive graphic art created in Mexico with the political artivist work of U.S. Latinx nonfiction cartoonists creating today. I do so by identifying these contemporary artists within a history of Mexican political graphica that I trace back to 1900. In so doing, I include a brief list of events in Mexico since the beginning of the 20th century where Mexican graphica worked as a tool for artists and the working class to participate in politics. I then identify contemporary instances of this artivism with La casa blanca case that took place during Enrique Peña Nieto’s administration (2012–2018). I conclude with my analysis of Lalo Alcaraz and Eric J. García, demonstrating how they inherited the artivist tradition from Mexican creators.

中文翻译：

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跨半球艺术主义：墨西哥和拉丁文 Grafica

摘要 在本文中，我将墨西哥创作的抗拒的、具有社会政治表现力的图形艺术与当今美国拉丁裔非小说漫画家创作的政治艺术家作品联系起来。我通过在我追溯到 1900 年的墨西哥政治图形历史中识别这些当代艺术家来做到这一点。这样做时，我列出了自 20 世纪初以来墨西哥发生的事件的简要列表，其中墨西哥图形作为工具艺术家和工人阶级参与政治。然后，我将这种艺术主义的当代实例与发生在恩里克·佩尼亚·涅托 (Enrique Peña Nieto) 执政期间 (2012-2018 年) 的 La casa blanca 案件相结合。最后，我对 Lalo Alcaraz 和 Eric J. García 进行了分析，展示了他们如何从墨西哥创作者那里继承了艺术家的传统。