ABSTRACT This article analyzes musical practices of rurality in Asturias (northern Spain), focusing on these practices as transits beyond rural-urban, local-transnational, and music-life dichotomies. We map out three modes of the production of locality in relation to musical heritage in order to point out a prevalence of the phenomena of “aural friction” (García-Flórez) and “mutuality” (Colón-Montijo) in expressive practices connected to this underground scene in the context of 2008’s rise of neo-liberalism. The introduction of these two concepts leads us to point out a correlation between the current transformation of the local and the social that coincides with a general questioning of the multicultural politics of recognition in Spain.

中文翻译：

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西班牙北部乡村音乐地下的文化遗产带来的挑战

摘要 本文分析了阿斯图里亚斯（西班牙北部）的乡村音乐实践，重点关注这些实践作为超越乡村-城市、地方-跨国和音乐-生活二分法的过渡。我们绘制了与音乐遗产相关的地方性生产的三种模式，以指出与此相关的表达实践中普遍存在的“听觉摩擦”（García-Flórez）和“相互性”（Colón-Montijo）现象。 2008 年新自由主义兴起背景下的地下场景。这两个概念的引入使我们指出了当前当地和社会转型之间的相关性，这与对西班牙多元文化承认政治的普遍质疑相吻合。