Abstract This paper introduces a range of unknown women photographers who worked in Yugoslavia throughout the 1970s, enabling an understanding of the hierarchy of gender relations and recapitulating the ideas and value systems that were defined by men throughout this period. The female gaze developed gradually in a period when women gained education, and which saw several waves of feminism. In studying the themes of their work, the way they developed their knowledge, and the reasons for their (non-)recognition on the national photographic scene, the three areas in which women most frequently worked are highlighted: private photography studios (ateliers), photography clubs, and print media. Although the power structures in the context considered were captured only “peripherally” by a woman’s camera, in this period we nevertheless come across traces of “disruption” of the production of meaning as a prerogative of social (=male) power, which gradually leads to more significant changes in the field of women’s photography, but only from the 1980s onwards.

中文翻译：

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小摄影？二战前后南斯拉夫的女摄影师

摘要 本文介绍了整个 1970 年代在南斯拉夫工作的一系列不知名的女摄影师，使人们能够理解性别关系的等级并概括整个时期男性定义的观念和价值体系。女性凝视是在女性接受教育的时期逐渐发展起来的，出现了几波女权主义浪潮。在研究她们工作的主题、她们发展知识的方式以及她们在国家摄影界（不）认可的原因时，突出了女性最常工作的三个领域：私人摄影工作室（工作室），摄影俱乐部和印刷媒体。尽管所考虑的上下文中的权力结构仅被女性的相机“外围”捕捉到，