The six stories in Ulrike Almut Sandig's Buch gegen das Verschwinden, each multi-layered in itself, are linked by leitmotifs so making a cycle that invites repeated reading, rather as a symphony invites repeated listening. The later stories, especially the last sci-fi adventure, cast retrospective light back over the collection, so highlighting ecological issues in stories which juxtapose threatened disappearances (of species, of wilderness) on a geological time scale, with disappearances (a lost child, declining bodily health, death of loved ones, memory loss) on the time scale of individual human life. Sandig's vividly atmospheric writing has affinities with poetic realism, notably Storm's ‘Der Schimmelreiter’, and stands more broadly in a long post-Enlightenment tradition of fascination with scientific enquiry, yet tension between instrumental reason that seeks mastery over nature and anguished feeling for the natural world under threat from human activity.

中文翻译：

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Ulrike Almut Sandig 的 Buch gegen das Verschwinden 中的时间和空间：生态读物

Ulrike Almut Sandig 的 Buch gegen das Verschwinden 中的六个故事，每个故事本身都是多层的，由主旋律连接，因此形成一个循环，邀请重复阅读，而不是交响乐邀请重复聆听。后来的故事，尤其是最后的科幻冒险，让回顾性的光线重新回到了收藏中，因此突出了故事中的生态问题，这些故事在地质时间尺度上将濒临灭绝的（物种、荒野）与失踪（一个走失的孩子，身体健康下降、亲人死亡、记忆丧失）在个人生命的时间尺度上。桑迪格生动大气的写作与诗意现实主义有着密切的联系，尤其是斯托姆的“Der Schimmelreiter”，并且更广泛地代表了启蒙运动后对科学探究的着迷的悠久传统，