Ulrike Almut Sandig’s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig’s relationship to German literary history, and particularly to the work of Annette von Droste-Hülshoff, by arguing that both Sandig and Droste negotiate between Romanticism and Realism — and, in doing so, emphasize the primacy of sensory engagement as a means of social engagement and resistance.

中文翻译：

---

'Auf keiner gültigen Karte verzeichnet'：定位 Ulrike Almut Sandig 的诗歌

乌尔里克·阿尔穆特·桑迪格 (Ulrike Almut Sandig) 的诗意输出与浪漫主义传统有关，但从她的表演技巧和作品的视觉质量以及其中的一些核心主题可以明显看出，她与这一传统的关系是复杂的。这篇文章阐明了桑迪格与德国文学史的关系，特别是与安妮特·冯·德罗斯特-胡尔肖夫的作品的关系，论证桑迪格和德罗斯特在浪漫主义和现实主义之间进行了协商——并在此过程中强调了感官参与作为一种手段的首要地位社会参与和抵制。