Sösdala is no longer just a style – not after the publication of the three early fifth century, spectacular depositions Sösdala I–II and Fulltofta from the central part of Scania. The 17 chapters, followed by summary and captions in Russian, are written by 15 authors from five different countries. Extensive catalogues and illustrations support the text, and the high-quality photos invite us into the book. Informative reconstructions of bridles and saddles make the discussions of the many mounts easier to follow. The concluding chapter 17, written by the editors, works well as an introduction to the book. In chapter 1 Charlotte Fabech presents a comprehensive study on the ‘rescue, musealisation and oblivion’ of the Sösdala and Fulltofta finds. Ulf Näsman deals with the research history of the Sösdala style in chapter 5, discussing chronology as well as its relation to Late Roman provincial art and the Nydam style. Anna Bitner-Wroblewska (chapter 12) prefers the concept ‘Sösdala horizon’ and incorporates ceremonial horse bridles, shieldshaped, bi-conical and pelta-shaped pendants and silver sheet brooches covered by an elaborate and varied stamped ornamentation, shallow chip-carving and niello inlay.

中文翻译：

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索斯达拉骑士和五世纪欧洲的马术精英

Sösdala 不再只是一种风格——不是在 5 世纪初的三个出版之后，Sösdala I-II 和 Fulltofta 来自斯堪尼亚中部的壮观沉积物。由来自五个不同国家的 15 位作者撰写的 17 章以及俄文摘要和标题。大量的目录和插图支持文字，高质量的照片邀请我们进入书中。缰绳和马鞍的信息重建使许多坐骑的讨论更容易理解。由编辑撰写的第 17 章作为本书的介绍非常有效。在第 1 章中，Charlotte Fabech 对 Sösdala 和 Fulltofta 发现的“救援、博物馆化和遗忘”进行了全面研究。Ulf Näsman 在第 5 章中讨论了 Sösdala 风格的研究历史，讨论年表及其与晚期罗马地方艺术和 Nydam 风格的关系。Anna Bitner-Wroblewska（第 12 章）更喜欢“Sösdala 地平线”的概念，并结合了礼仪马缰绳、盾形、双圆锥形和佩尔塔形吊坠和银制胸针，上面覆盖着精致多样的印章装饰、浅切屑雕刻和 niello镶嵌。