Abstract Since the earliest overt depiction of bisexual characters in Philippine cinema in 1954, filmmakers have been attempting to provide various images of bisexuality, initially for comic or melodramatic genre entries, and more recently for serious realist and fantastic social discourses. With the absence of any comprehensive queer-film report that focuses on bisexuality, this article will provide a survey and look at basic trends over two time periods (before and after the current millennium) as well as differences in male and female imaging.

中文翻译：

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Di/Visibility：菲律宾电影中的双性恋标志

摘要 自从 1954 年菲律宾电影中最早对双性恋角色的公开描绘以来，电影制作人一直试图提供各种双性恋形象，最初用于喜剧或情节剧类型条目，最近用于严肃的现实主义和梦幻般的社会话语。由于没有任何关于双性恋的综合性酷儿电影报告，本文将提供一项调查，并考察两个时间段（本世纪之前和之后）的基本趋势以及男性和女性成像的差异。