ABSTRACT ‘The Modern Cult of Monuments: Its Character and Origin’ (1903), written by Alois Riegl, is the first systematic analysis of heritage values and of a theory of restoration. His values and concepts became fundamental principles of the Venice Charter (1964). However, in conjunction with the 50th Anniversary of the Charter in 2014, it was pointed out that the attempt to reconcile notions of the monument with the ‘postmodern’ idea of multiple and shifting values has resulted in an ever-expanding definition of the ‘monument’ – without serious questioning of the underlying principles that guide its treatment. This article analyzes Riegl’s ‘commemorative values’ and ‘present-day values’ in the light of the conservation and restoration work of the Norwegian architect Kristian Bjerknes, who in 1979 was awarded a European prize for his preservation of cultural heritage. His work illustrates how Riegl’s age value theory can be used for a wide variety of building types and situations. Bjerknes applied it as a strategy for conservation and restoration of wooden buildings, and in adapting architectural heritage to modern living conditions. He also transferred the theory to museum work and to the rebuilding of demolished buildings. His preservation work illustrates how theory and practice are interwined.

中文翻译：

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Riegl 的“现代古迹崇拜”作为支撑实际保护和修复工作的理论

摘要 “现代古迹崇拜：其特征和起源”（1903 年）由阿洛伊斯·里格尔 (Alois Riegl) 撰写，是对遗产价值和修复理论的第一次系统分析。他的价值观和理念成为《威尼斯宪章》（1964 年）的基本原则。然而，结合 2014 年宪章成立 50 周年，有人指出，试图将纪念碑的概念与多重和不断变化的价值的“后现代”观念相协调，导致了“纪念碑”的定义不断扩大。 ' – 没有认真质疑指导其治疗的基本原则。本文结合挪威建筑师 Kristian Bjerknes 的保护和修复工作，分析了 Riegl 的“纪念价值”和“当代价值”，1979 年，他因保护文化遗产而获得欧洲奖。他的工作说明了 Riegl 的年龄价值理论如何用于各种建筑类型和情况。Bjerknes 将其用作保护和修复木制建筑的策略，以及使建筑遗产适应现代生活条件的策略。他还将这一理论应用于博物馆工作和被拆除建筑物的重建。他的保存工作说明了理论和实践是如何交织在一起的。他还将这一理论应用于博物馆工作和被拆除建筑物的重建。他的保存工作说明了理论和实践是如何交织在一起的。他还将这一理论应用于博物馆工作和被拆除建筑物的重建。他的保存工作说明了理论和实践是如何交织在一起的。