Abstract This paper looks at the phenomenon of theopoetic art. The word theopoetic dates back to the Patristic authors—referring to the making divine of the human and the making human of the divine—and has been radically revived as part of the recent religious turn in continental phenomenology and hermeneutics (Keller, Caputo, Nancy, Kearney). Looking at an example of religious art, Andrei Rublev’s Trinity, the author traces the development of the idea of “God making” from Jewish and Christian literature to contemporary debates on the relationship between the secular and the sacred.

中文翻译：

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造神：神学想象中的散文

摘要本文着眼于神学艺术现象。神学的这个词可以追溯到爱国主义的作者-指人类的造物神和造人的神物-作为大陆现象学和诠释学最近宗教转向的一部分已被彻底复兴（凯勒，卡普托，南希，科尔尼）。作者以安德烈·鲁布列夫（Andrei Rublev）的三位一体宗教艺术为例，追溯了“上帝创造”概念的发展，从犹太和基督教文学到当代关于世俗与神圣之间关系的辩论。