Abstract This paper is motivated by Heidegger’s invitation to think the essence of technics through a dialogue between technics and art. This dialogue is approached with the help of several artworks belonging to what can be called the “technological turn” in art. First, I draw a schematic picture of notions of instrumentality, rationality, totality, and teleology inherited from classical philosophy of art and technology and challenged by contemporary art. I underline the Romantic claim that art overcomes these features thanks to its freedom and ask, referring to the work of Gilbert Simondon, whether technology could also be liberated from its subordination to utilitarian ends. Second, I look at how certain contemporary works of art attempt to solve some of these problems. Artists who seize technical objects generally seek to make their functioning visible and problematic by distorting, interrupting, or otherwise modifying the technical dispositif—this is when a machine becomes a work of art. I show how this happens in certain works of Rebecca Horn, Jean Tinguely, Anaïs Tondeur, Eduardo Kac, and Tomas Saraceno. In conclusion, I show how art can liberate technology by liberating it from utility and instrumentality and by exposing it as such in its functioning. On the other hand, I argue that technology can liberate art, both through artistic techniques and nonartistic technological processes.

中文翻译：

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艺术与工艺的解放：海德格尔呼吁工艺与艺术对话的艺术回应

摘要本文是受海德格尔的邀请而推动的，它通过工艺与艺术之间的对话来思考工艺的本质。这种对话是在几件属于艺术“技术转向”的艺术品的帮助下进行的。首先，我绘制了工具性，合理性，整体性和目的论概念的示意图，这些概念是从古典艺术和技术哲学继承而来，并受到当代艺术的挑战。我强调浪漫主义的主张，即艺术由于其自由而克服了这些特征，并询问吉尔伯特·西蒙登（Gilbert Simondon）的作品，是否也可以将技术从其从属地位解放到功利主义目的。其次，我看一下某些当代艺术品如何试图解决其中的一些问题。抓住技术对象的艺术家通常会通过扭曲，干扰或以其他方式修改技术配置来寻求使其功能可见和有问题的功能-这是当机器成为艺术品时。我将说明丽贝卡·霍恩（Rebecca Horn），让·廷格利（Jean Tinguely），安娜·通德（AnaïsTondeur），爱德华多·卡克（Eduardo Kac）和托马斯·塞拉塞诺（Tomas Saraceno）的某些作品中是如何发生的。总而言之，我展示了艺术如何通过将技术从效用和工具中解放出来并在其功能中进行展示来释放技术。另一方面，我认为技术可以通过艺术技巧和非艺术技术过程来解放艺术。AnaïsTondeur，Eduardo Kac和Tomas Saraceno。总而言之，我展示了艺术如何通过将技术从效用和工具中解放出来并在其功能中进行展示来释放技术。另一方面，我认为技术可以通过艺术技巧和非艺术技术过程来解放艺术。AnaïsTondeur，Eduardo Kac和Tomas Saraceno。总而言之，我展示了艺术如何通过将技术从效用和工具中解放出来并在其功能中进行展示来释放技术。另一方面，我认为技术可以通过艺术技巧和非艺术技术过程来解放艺术。