Abstract The aim of this paper is to begin to respond to the question of how to engage the presence of catastrophic climate change as a locus of philosophical thought. What has to be thought is the end of the world. Central to that project is Heidegger’s “The Origin of the Work of Art,” and in particular, Heidegger’s thinking of the earth/world relation, both in itself and in terms of the limits it encounters. Heidegger’s use of “examples” of artwork, as well as works by Nicolas Poussin and Anselm Kiefer, are deployed in order to begin to understand the role of art in thinking the end of the world.

中文翻译：

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废墟中的世界：海德格尔，普桑，基弗

摘要本文的目的是开始回应如何将灾难性气候变化作为哲学思想的发源地这一问题。必须考虑的是世界的尽头。该项目的核心是海德格尔的“艺术作品的起源”，尤其是海德格尔对地球/世界关系的思考，包括其本身以及所遇到的局限性。为了开始理解艺术在思考世界末日中的作用，海德格尔对艺术品“实例”的使用以及尼古拉斯·普桑和安塞尔姆·基弗的作品得到了运用。