Abstract The subject of my paper is to examine nostalgia as “involuntary memory” in Andrei Tarkovsky’s movie Nostalghia. Tarkovsky understands filming as “sculpting in time.” In his book with the same title he writes that “time and memory merge into each other.” In order to understand this we have to distinguish between a voluntary memory, which refers to the intentional effort to remember, and the involuntary memory, which is like a force that comes over us, that affects us. The latter is especially the case with nostalgia. In nostalgia we can find a revision of the past but the revised version of the past is not primarily about the production of a new representation of memory but more a case of re-experiencing the same past through returning to it, particularly in an embodied manner. Nostalgia is a particular mode of “memory of place.” Places we inhabit or pass through leave an impact on us, for we are bodily subjects and as such we have a relationship with the places that surround us. What Tarkovsky’s movie Nostalghia shows is how the spatio-temporality of the present is “haunted” by the superimposed appearance of the past. Nostalgia is a movement of seeping returns. The past transpires in the present, and Tarkovsky makes this structure visible in using the visual medium of film. He shows how the texture of the everyday world fuses with the imagined memory of the past. In my paper, I construe this nostalgic experience provided by Tarkovsky.

中文翻译：

---

人体解剖学和电影：塔尔科夫斯基的怀旧作品所表现出的回味

摘要本文的主题是将怀旧视为安德烈·塔可夫斯基（Andrei Tarkovsky）的电影《怀旧》中的“非自愿记忆”。塔科夫斯基将电影理解为“及时雕刻”。在他的同名书中，他写道“时间和记忆相互融合”。为了理解这一点，我们必须区分自愿记忆和非自愿记忆，后者是指要记忆的故意努力，而非自愿记忆则是一种影响我们的力量，就像影响我们的力量一样。后者尤其是怀旧的情况。在怀旧中，我们可以找到对过去的修改，但是对过去的修改主要不是关于记忆的新表示的产生，而是更多地通过回到过去来重新体验相同的过去的情况。 。怀旧是“位置记忆”的一种特殊模式。”我们居住或经过的地方会对我们产生影响，因为我们是身体的主体，因此，我们与周围的地方有着联系。塔可夫斯基的电影《怀旧》所展现的是，现在的时空如何被过去的叠加现象“困扰”。怀旧是渗透回报的运动。过去发生在现在，Tarkovsky通过使用电影的视觉媒介使这种结构可见。他展示了日常生活的质感如何与想象中的过去融为一体。在我的论文中，我解释了塔尔科夫斯基提供的这种怀旧经历。塔可夫斯基的电影《怀旧》所展现的是，现在的时空如何被过去的叠加现象“困扰”。怀旧是渗透回报的运动。过去发生在现在，Tarkovsky通过使用电影的视觉媒介使这种结构可见。他展示了日常生活的质感如何与想象中的过去融为一体。在我的论文中，我解释了塔尔科夫斯基提供的这种怀旧经历。塔可夫斯基的电影《怀旧》所展现的是，当下的时空如何被过去的叠加现象“困扰”。怀旧是渗透回报的运动。过去发生在现在，Tarkovsky通过使用电影的视觉媒介使这种结构可见。他展示了日常生活的质感如何与想象中的过去融为一体。在我的论文中，我解释了塔尔科夫斯基提供的这种怀旧经历。