Abstract In discussions of the conservation of culturally significant architecture, awareness about issues of temporality and its theoretical import has been approached from varied, partial, perspectives. These perspectives have usually focused on accounts of temporality that focus on the past and the present—and more rarely the future—without considering either the complete spectrum of human temporality or its ontological bases. This article addresses this shortcoming with a phenomenology of conservation grounded on the fundamental attitudes of cultivation and care. After a phenomenological and existentialist analysis of Cesare Brandi’s thought—focusing on his paradigmatic Theory of Restoration—his attitude comes forth as a limited instance of the modern conservation attitude that is concerned exclusively with architecture as art. This attitude results in a limited temporal intentionality. Following Ingarden and Ricoeur, the existential approach here applied to the deduced dimensions of the space and time of Dasein—in Heidegger’s terms—outlines the grounding of conservation on an existential interpretation of the more fundamental notions of cultivation and care. This interpretation suggests a solution for the modern impasse with an existential account of both the artistic grounding of architecture and its characterization as the place that temporally accompanies Dasein. Architecture thus emerges as a manifold being, constituting existentially the space for the authentic human being, whose temporal consciousness compels it to cultivate and care about that space, thus enriching the possible approaches to conservation as a collective endeavor.

中文翻译：

---

关于时间性的经验：建筑场所保护中的存在问题

摘要在讨论具有文化意义的建筑的保护时，人们从不同的，部分的角度探讨了对时间性及其理论意义的认识。这些观点通常集中在时间性的说明上，这些时间性关注的是过去和现在，而很少涉及未来，而没有考虑人类时间性的完整范围或其本体论基础。本文以保护和耕种的基本态度为基础的保护现象学来解决这一缺陷。在对塞萨尔·布兰迪的思想进行了现象学和存在主义的分析之后，他以塞萨尔·布兰迪的恢复理论为重点，他的态度作为现代保护主义态度的一个有限实例而出现，这种态度只涉及作为艺术的建筑。这种态度导致有限的时间意向。按照Ingarden和Ricoeur的观点，这里的存在主义方法以海德格尔的说法适用于Dasein时空的推断维度，概述了保护的基础是对种植和护理的更基本概念的存在主义解释。这种解释提出了一种现代僵局的解决方案，既解决了建筑的艺术基础，又将其刻画为Dasein的临时场所。因此，建筑以多方面的形式出现，从根本上构成了真实人类的空间，其时间意识迫使其去培养和关心该空间，从而丰富了作为集体努力的保护的可能途径。