ABSTRACT This essay discusses some of the forms of interaction between academic philology, the poetic avant-garde, and the public, demonstrating the role played by the material book in shaping the cultural impact of Dante’s lyric corpus on twentieth-century culture. A survey of the historical treatment of Dante’s lyric poetry between the nineteenth and twentieth centuries lays the foundation for re-evaluating the earliest reception of Contini’s edition of Dante’s Rime and particularly its parallel genesis with Montale’s Le Occasioni, resulting in two uncannily similar books of poetry published in the autumn of 1939: Contini’s hermeneutics served as a hypotext for Montale’s 1930s poetry, while Montale formed a key part of the intellectual milieu in which Contini was himself immersed. Through hermeneutics, but also through publishing strategies and personal relationships, Contini was able to portray Dante as a contemporary, avant-garde author, thus inspiring productive readings of medieval poetry.

中文翻译：

---

20世纪的但丁抒情诗：诠释学和社论形式

摘要本文讨论了学术语言学，诗人前卫与公众之间的一些互动形式，展示了材料书在塑造但丁的抒情语料库对二十世纪文化的文化影响方面的作用。对十九世纪至二十世纪但丁的抒情诗的历史处理进行的一项调查，为重新评估最早对康斯坦丁版但丁的《霜》的接受，尤其是它与蒙塔莱的《勒·奥卡西奥尼》的平行起源奠定了基础，从而产生了两本极为相似的诗歌集该书于1939年秋天出版：康斯坦蒂的诠释学是蒙塔莱1930年代诗歌的虚假文字，而蒙塔莱则构成了康斯坦蒂自己沉浸在其思想环境中的关键部分。通过诠释学，