ABSTRACT These three short articles investigate how exhibitions function as primary research outputs. They present critical reflections on the preparation and realisation of a series of exhibitions that drew on material produced by a large research team. Written from the perspectives of the professional curators and an academic researcher, the essays set out the theoretical premises of the exhibition as a medium of communication, and research tool. The exhibitions were part of the AHRC-funded large grant project ‘Transnationalizing Modern Languages. Mobility, Identity and Translation in Modern Italian Cultures’ (2014–17). The exhibition was first held at the British School at Rome between October 26 and November 11 2016, and then at the Italian Cultural Institute in London from December 5 2016 to January 14 2017. Further iterations have been staged at the Calandra Institute, New York, the Museo Italiano, Melbourne, and at the Italian Cultural Institute in Addis Abeba and Tunis.

中文翻译：

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超越国界：跨国意大利

摘要这三篇简短的文章探讨了展览如何作为主要研究成果。他们对准备和实现一系列展览的过程进行了批判性思考，这些展览取材于大型研究团队制作的材料。从专业策展人和学术研究人员的角度撰写的论文，为展览提供了作为交流手段和研究工具的理论前提。这些展览是AHRC资助的大型赠款项目“跨国化现代语言”的一部分。《现代意大利文化中的流动性，身份和翻译》（2014-17年）。展览首先于2016年10月26日至11月11日在罗马的英国学校举行，然后于2016年12月5日至2017年1月14日在伦敦的意大利文化学院举行。