ABSTRACT Antonio Sebastiano Minturno (1500–1574) is remembered today primarily for his substantial contributions to Cinquecento poetics, aimed at establishing the lyric as a macrogenre alongside drama and narrative poetry (De poeta, 1559; L’arte poetica, 1564). Yet in addition to his poetological writings, Minturno also produced a significant number of other works, including a series of poems in the volgare published under the title Rime et prose del Sig. Antonio Minturno (1559). What is more, Minturno referred to his own poems time and again in order to support his poetological positions and to exemplify his theoretical approaches to poetry and to literature in general. Although Minturno himself quite obviously saw a close connection between his poems and his poetics, his lyric oeuvre has received surprisingly little scholarly attention so far. The present paper seeks to fill this lacuna by investigating the nexus between theory and poetic practice in Minturno’s works.

中文翻译：

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诗与诗论之间的安东尼奥·塞巴斯蒂亚诺·敏图诺（Antonio Sebastiano Minturno）：霜与艺术诗论

摘要安东尼奥·塞巴斯蒂亚诺·明图诺（Antonio Sebastiano Minturno，1500-1574年）今天因其对辛奎森托诗学的重大贡献而被人们铭记，旨在将抒情诗与戏剧和叙事诗歌一起确立为宏大体裁（De poeta，1559； L'arte poetica，1564）。除了他的诗歌著作外，Minturno还创作了大量其他作品，包括在伏尔加诗歌中以Rime et prose del Sig为标题出版的一系列诗歌。安东尼奥·明图诺（Antonio Minturno）（1559）。更重要的是，Minturno一次又一次地提及自己的诗歌，以支持他的诗学立场，并举例说明他的诗歌和文学理论方法。尽管明图恩戈本人显然很清楚地看到了他的诗与诗学之间的紧密联系，但迄今为止，他的抒情作品几乎没有受到学术界的关注。