In the history of European philosophy and culture, women have been both linked to nature and excluded from writing. Because of this, feminist poets face the task of rethinking the two realms together. This essay argues that Biancamaria Frabotta’s poems experiment with alternative stories of women’s intimacy with “nature.” Her poems include an expansive natural world together with distinctive narratives of a woman writer’s selfhood. The language and style for both loving and eschewing nature derive from Frabotta’s attentive gatherings from literary history. The complexity especially of the world of plants and the intricacies of gendered cultural traditions are best read together as discourses that mirror each other in Frabotta’s work.

中文翻译：

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诗歌的生态任务：Biancamaria Frabotta 中的女性与自然

在欧洲哲学和文化史上，女性既与自然联系在一起，又被排除在写作之外。正因为如此，女权主义诗人面临着重新思考这两个领域的任务。这篇文章认为，比安卡马利亚·弗拉博塔 (Biancamaria Frabotta) 的诗歌尝试了女性与“自然”亲密关系的另类故事。她的诗歌包括广阔的自然世界以及女性作家自我的独特叙事。热爱自然和回避自然的语言和风格源自弗拉博塔对文学史的专注收集。植物世界的复杂性和性别文化传统的复杂性最好一起阅读，作为弗拉博塔作品中相互反映的话语。