ABSTRACT This article examines the popularisation of medej in the Saharawi refugee camps of Tindouf, Algeria. Traditionally, medej is a religious musical style performed on Thursday evenings in a familiar environment. Medej also serves as an announcement to al jummah (Friday), the day of the week that Muslims are meant to meet at the mosque to listen to the imam’s sermon. However, the youth have popularized medej as a form of singing at weddings or national events in the camps, providing a new social dimension to the religious musical style. As a result, medej is sung in a familiar context and, on the other hand, the youngsters use traditional medej songs for live performances or even to compose new songs in such musical style. This article aims to argue the dichotomy between tradition and the popularisation of medej among the youth. In other words, this article is based on the study of medej as a syncretic and non-static musical genre, popularised in the 1980s during non-religious events in the refugee camps.

中文翻译：

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阿尔及利亚哈马达沙漠的撒哈拉难民营中的音乐和伊斯兰教：作为一种融合音乐发展的方法

摘要本文探讨了梅迪杰在阿尔及利亚廷杜夫的撒哈拉维难民营中的普及情况。传统上，medej是一种宗教音乐风格，在周四晚上在熟悉的环境中演出。迈德（Medej）还作为向ju jummah（星期五）的公告，这是穆斯林本周在清真寺见面听伊玛目讲道的一周。然而，青年人已将流行音乐作为在婚礼上或营地中的民族活动中唱歌的一种形式进行推广，为宗教音乐风格提供了新的社会意义。结果，在熟悉的环境中演唱了medej，另一方面，年轻人使用传统的medej歌曲进行现场表演，甚至以这种音乐风格创作新歌。本文旨在论证传统与梅迪奇在青年中的普及之间的二分法。