Abstract This article aims to offer a broader understanding of the Lithuanian reception of the Warsaw Autumn festival in relation to the modernisation of national music in Lithuania since the late 1950s – early 1960s. Based on a micro-historical and comparative approach to the network of individuals and events, it is intended to explore the shifts of reception through analysis of musical criticism, composers’ work and discourse, and artistic exchange between the Lithuanian and Polish new music scenes. The author discusses the cultural and political factors which affected the changing role of the Warsaw Autumn festival and its impact on the modernisation processes in Lithuanian music. In addition, the asymmetries of mutual understanding and interests between the Polish and Lithuanian music cultures have been highlighted both during the Cold War and the post-communist transformation periods.

中文翻译：

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立陶宛华沙秋季节的接待：文化话语和政治背景

摘要 本文旨在从 1950 年代末至 1960 年代初以来立陶宛对华沙秋季音乐节的接受与立陶宛民族音乐现代化的关系提供更广泛的理解。基于对个人和事件网络的微观历史和比较方法，它旨在通过分析音乐批评、作曲家的作品和话语以及立陶宛和波兰新音乐场景之间的艺术交流来探索接受的转变。作者讨论了影响华沙秋季音乐节角色变化的文化和政治因素及其对立陶宛音乐现代化进程的影响。此外，