Abstract Research on 18th-century music has been one of the key areas of interest for musicologists ever since the beginnings of musicological studies in Poland. It initially developed along two distinct lines: general music history (with publications mostly in foreign languages) and local history (mostly in Polish). In the last three decades the dominant tendency among Polish researchers has been, however, to relate problems of 18th-century Polish musical culture to the political history of the Polish-Lithuanian Commonwealth and more generally – to the political history of Central Europe at large. The most important subjects taken up in research on 18th-century music include: the musical cultures of the royal court in 18th-century Warsaw (primarily in the works of Alina Żórawska-Witkowska) as well as Polish aristocratic residences (e.g. studies by Szymon Paczkowski and Irena Bieńkowska), the ecclesiastical and monastic circles (publications by Alina Mądry, Paweł Podejko, Remigiusz Pośpiech and Tomasz Jeż); problems of musical style (texts by Szymon Paczkowski); research on sources containing music by European composers (e.g. by Johann Adolf Hasse); the musical culture of cities (of Gdańsk, first and foremost); studies concerning the transfer of music and music-related materials, the musical centres and peripheries, etc.

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波兰 18 世纪音乐研究。一个介绍

摘要 自波兰音乐学研究开始以来，对 18 世纪音乐的研究一直是音乐学家感兴趣的关键领域之一。它最初沿着两条不同的路线发展：一般音乐史（主要以外语出版）和地方史（主要以波兰语出版）。然而，在过去的 30 年里，波兰研究人员的主要趋势是将 18 世纪波兰音乐文化的问题与波兰立陶宛联邦的政治史，更一般地说——与整个中欧的政治史联系起来。18 世纪音乐研究中最重要的主题包括：18 世纪华沙王室的音乐文化（主要在 Alina Żórawska-Witkowska 的作品中）以及波兰贵族住宅（例如 Szymon Paczkowski 和 Irena Bieńkowska 的研究）、教会和修道院界（Alina Mądry、Paweł Podejko、Remigiusz Pośpiech 和 Tomasz Jeż 的出版物）；音乐风格问题（Szymon Paczkowski 的文本）；研究包含欧洲作曲家（例如约翰·阿道夫·哈塞）的音乐的来源；城市的音乐文化（首先是格但斯克）；关于音乐和音乐相关材料的转移、音乐中心和周边等的研究。首先是）；关于音乐和音乐相关材料的转移、音乐中心和周边等的研究。首先是）；关于音乐和音乐相关材料的转移、音乐中心和周边等的研究。