ABSTRACT Since the first Wunderkammern to modern museums, the way museums have been envisioned has changed over time to mirror the social and cultural trends of each historical moment. At the same time, museums have been used as instruments from where innovative ideas were promoted to society. In this study we analyse the reciprocal interaction between museums and society by studying the changes in museology and exhibition techniques. Our hypothesis is that each change in the concept and role of museums was also reflected in the museology, which was adapted to better reproduce the ideals that the museum wanted to show to society. We studied the historical evolution of the museography of the National Museum of Sculpture of Valladolid, as well as the social and cultural trends of each historical moment to establish a correlation between them. The results confirm the direct and intimate relationship between museums, museography and changing social paradigms. We can conclude that the aesthetic evolution of the public presentation of the collections determines the image and self-identity, both that of the museum in itself and that which it projects externally. Simultaneously this evolution also reflects innovative ideas about the role of culture within society.

中文翻译：

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巴利亚多利德国家雕塑博物馆的博物馆历史。对博物馆与社会的相互关系或博物馆作为新社会范式工具的反思

摘要自从第一个 Wunderkammern 到现代博物馆以来，博物馆的设想方式随着时间的推移发生了变化，以反映每个历史时刻的社会和文化趋势。与此同时，博物馆被用作向社会推广创新思想的工具。在这项研究中，我们通过研究博物馆学和展览技术的变化来分析博物馆与社会之间的相互作用。我们的假设是，博物馆概念和角色的每一次变化也反映在博物馆学中，博物馆学经过调整以更好地再现博物馆想要向社会展示的理想。我们研究了巴利亚多利德国家雕塑博物馆博物馆的历史演变，以及每个历史时刻的社会和文化趋势，以建立它们之间的相关性。结果证实了博物馆、博物馆和不断变化的社会范式之间的直接和密切的关系。我们可以得出结论，馆藏公开展示的审美演变决定了博物馆本身的形象和自我认同，也决定了博物馆对外投射的形象和自我认同。同时，这种演变也反映了关于文化在社会中的作用的创新思想。