ABSTRACTFrom the perspective of museums and conservation, where does a work lie, how and where is it? This essay sets out to analyse Mark Rothko’s Harvard Murals exhibited in the form of an augmented reality at the Harvard Art Museums in Cambridge, MA. With the help of this and further examples, it argues that the changeable character of artworks does not comply with the traditional museum and its techniques of musealisation that privilege the idea of artworks as objects manifest in a physical matter. The traditional functionality of a museum has therefore been challenged. Accepting the changeable nature of artworks, contemporary conservation does not return artworks to their past condition but actively takes part in their actualisation on the basis of the archive. Further artworks by Yoko Ono and Nam June Paik are understood in terms of their duration, slow and fast, while the museum and conservation acquire a particular relation to time.

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迷失在博物馆？不断变化的媒体、他们的世界和表现

摘要从博物馆和保护的角度来看，一件作品在哪里，它在哪里，它在哪里？本文旨在分析马克·罗斯科在马萨诸塞州剑桥市哈佛艺术博物馆以增强现实形式展出的哈佛壁画。在这个例子和进一步的例子的帮助下，它认为艺术品的多变特征不符合传统的博物馆及其博物馆化技术，这种博物馆化技术将艺术品作为物体表现在物理事物中的观念享有特权。因此，博物馆的传统功能受到了挑战。当代保护接受艺术品的多变本质，并没有将艺术品还原到过去的状态，而是在档案的基础上积极参与其实现。