ABSTRACT Although nowadays autobiographical texts are not often embedded in religious frames, they still include some remarkable spiritual features, as pathographies in particular show. Literary criticism has interpreted these memoirs as a narrative response to changes in attitudes towards both spirituality and the illness experience. A fascinating hypothesis related to this context is that pathographies may have replaced the conversion accounts of the Christian tradition; they could be interpreted, in many ways, as their contemporary counterpart. However, even if religion no longer offers complete answers to the questions that arise when we are ill, its cultural influence is still recognisable. It can be latent, challenged, declared, or rejected, but its presence is undeniable, as the persistence of a certain dolorisme, which has religious roots, suggests. This essay aims to analyse the continuity between old and new paradigms by focusing on some autobiographical works about illness written by French authors. Starting from the plot structure, this textual inquiry will highlight patterns, variations, similarities, and original formulations in the narrative process of giving illness meaning within a religious framework.

中文翻译：

---

在神圣与世俗之间：病理学作为更新的皈依叙事

摘要 尽管如今自传文本并不经常嵌入宗教框架中，但它们仍然包含一些显着的精神特征，尤其是病理学所显示的。文学批评将这些回忆录解释为对灵性和疾病经历态度变化的叙事反应。与此背景相关的一个引人入胜的假设是病理学可能已经取代了基督教传统的皈依记录。在许多方面，它们可以被解释为它们的当代对应物。然而，即使宗教不再为我们生病时出现的问题提供完整的答案，它的文化影响仍然是可识别的。它可以是潜伏的、挑战的、宣告的或拒绝的，但它的存在是不可否认的，因为某种具有宗教根源的忧郁症的持久性，建议。本文旨在通过关注法国作家撰写的一些关于疾病的自传体作品来分析新旧范式之间的连续性。从情节结构开始，这种文本探究将突出在宗教框架内赋予疾病意义的叙事过程中的模式、变化、相似性和原始表述。