ABSTRACT How do current theories of world literature construct their object and how do they map world literary space? This article examines these questions in light of the reception of “Global South” or “postcolonial” writers in theories of world literary culture, including those of Pascale Casanova, Fredric Jameson and Franco Moretti. Focusing on the case of Algeria, the article considers how several widely-shared narratives about world literary history have shaped the dynamics of critical reception. It also contends that narratives of world literature have tended to overemphasize the center–periphery divide, neglecting other geographies of production and circulation.

中文翻译：

---

在世界文学中定位阿尔及利亚文学

摘要 当前的世界文学理论如何构建它们的对象以及它们如何映射世界文学空间？本文根据“全球南方”或“后殖民”作家在世界文学文化理论中的接受程度来考察这些问题，包括帕斯卡·卡萨诺瓦、弗雷德里克·詹姆森和弗兰科·莫雷蒂。文章以阿尔及利亚的案例为重点，探讨了关于世界文学史的几个广泛分享的叙述如何塑造了批判性接受的动态。它还争辩说，世界文学的叙事倾向于过分强调中心与边缘的鸿沟，而忽视了其他生产和流通的地域。