Abstract

Awled AL Manajim musical group was forced to go underground under Ben Ali (1987-2010) as the consequence of regime censorship and restrictions on engaged artists. The post-Ben Ali era experienced the proliferation of other types of underground music, in particular rap and hip-hop which achieved major importance in comparison with the old forms of the underground that managed not only to survive Ben Ali’s dictatorship, but also created a culture of resistance through art. This article argues that Awled AL Manajim contributed to the development of a resistance movement in the Mining Basin and suggests that this musical group managed, to a certain extent, to articulate the causes and concerns of the local populace.

摘要

由于政权审查制度和对从事艺人的限制，锥子AL Manajim音乐团体被迫在本·阿里（Ben Ali）（1987-2010）下潜入地下。后本·阿里时代经历了其他类型的地下音乐的传播，特别是说唱和嘻哈音乐，与设法摆脱本·阿里独裁统治的旧地下音乐形式相比，它发挥了重要作用。通过艺术抵抗文化。本文认为Awled AL Manajim为矿山盆地抵抗运动的发展做出了贡献，并建议该音乐团体在一定程度上设法阐明了当地民众的原因和关切。