This article investigates the relationship between the philosophy of freedom and the history of art. It maintains that contemplating the two fields together is productive and necessary in understanding some of the compelling interdisciplinary aspects at work in both arenas. Isaiah Berlin’s seminal Two Concepts of Liberty (1958) acts as a touchstone, as the essay establishes the historical and political grounds for uniting the two fields, with other thinkers contributing to the analysis. The ideas discussed correlate the history of art as a narrative of creativity and freedom with art’s political function as it pertains to the positive–negative liberty perspective. These two forces offer a fecund way of thinking about freedom and the arts co-terminally. This essay argues that the creative motivations embedded in the history of art are intimately linked to political motivations, which it is claimed tie the two subjects together both historically and philosophically.

中文翻译：

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自由哲学与艺术史：一种跨学科的观点

本文研究了自由哲学与艺术史之间的关系。它坚持认为，将这两个领域放在一起考虑对于理解两个领域工作中令人信服的跨学科方面是富有成效和必要的。以赛亚柏林的开创性的两个自由概念（1958）充当试金石，因为本文确立了统一这两个领域的历史和政治基础，其他思想家也为分析做出了贡献。所讨论的思想将艺术史作为创造力和自由的叙事与艺术的政治功能联系在一起，因为它涉及积极-消极自由观。这两股力量为共同思考自由与艺术提供了丰富的方法。本文认为，艺术史中所蕴含的创造动机与政治动机有着密切的联系，据称，这在历史和哲学上将这两个主题联系在一起。