ABSTRACT This essay explores domestic labor, gender, and time in Domietta Torlasco’s video essay ‘Philosophy in the Kitchen.’ A digital archive of European art cinema’s panoply of images of domestic labor, Torlasco’s video essay presents iconic images of women engaged in housework, which despite their utter familiarity have failed to elicit a broader discussion about the nature of the labor they portray. These images are reappropriated and repurposed both as a feminist project of making visible that which has been rendered invisible and as an audiovisual meditation on the ontology of cinema. Engaging a broader philosophical framework, the essay reads Torlasco’s digital articulation of housework through the nexus of Beauvoirian immanence and the Deleuzian time-image. The result opens up a radical rethinking of cinema history and its gendered configurations.

中文翻译：

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托拉斯科（Torlasco）的“厨房哲学”：形象，家务劳动和时间的性别体现

摘要本文探讨了多米埃塔·托拉斯科（Domietta Torlasco）的视频文章“厨房哲学”中的家庭劳动，性别和时间。Torlasco的视频文章是欧洲艺术电影院关于家务劳动的全貌的数字档案，展示了从事家务劳动的妇女的标志性图像，尽管她们非常熟悉，却未能引起人们对她们所描述的劳动性质的更广泛讨论。这些图像被重新分配和重新利用，既是使已变得不可见的可见的女权主义计划，又是对电影本体的视听冥想。通过广泛的哲学框架，本文通过博伏瓦式的内在联系和德鲁兹式的时间形象来解读托拉斯科对家务的数字化表达。