ABSTRACT This analysis of the style of Ingmar Bergman’s films uses methods of treating film style that were first proposed and put into practice over 40 years ago by the author. Since then they have been applied to a very large number and range of films, and the results of these investigations published in books and in the New Review of Film and Television Studies. The basic technique of analysis used is drawing on the terms and categories used by film-makers in creating the films. It also gives weight to the film-maker’s ideas about what they are doing and why. The local and international context of the work of the film-maker also contributes to the analysis. After a brief summary of Ingmar Bergman’s film-making career and his films, his individual films are analysed in terms of the characteristics of the shots in them, such as length, closeness of camera, camera movement, POV, and so on. A simple statistical consideration of all these quantities enables a new separation of Bergman’s career into three phases from this perspective, with the film Persona being one of the turning points. Using a new technique of digital frame analysis, other points emerge regarding the development of his handling of actor movement and camera movement in his staging of love scenes, which gives rise to what could be called the Bergman signature shot. Another discovery is that Bergman’s two best known films, Det sjunde inseglet and Smultronstället are stylistically anomalous in his work.

中文翻译：

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英格玛·伯格曼的电影风格

摘要对英格玛·伯格曼（Ingmar Bergman）电影风格的分析使用的是作者40年前首次提出并付诸实践的电影风格处理方法。从那时起，它们已被应用于大量的电影，这些调查的结果发表在书籍和《电影与电视研究新评论》中。分析的基本技术是利用电影制片人在制作电影时所用的术语和类别。这也使电影制片人对自己的工作及其原因的想法更为重要。制片人作品的本地和国际背景也有助于分析。在简要概述了英格玛·伯格曼（Ingmar Bergman）的电影制作事业和他的电影之后，将根据其镜头的特点（例如长度，相机的接近度，相机移动，POV等。从所有这些数量上进行简单的统计考虑，就可以从这个角度将伯格曼的职业生涯重新划分为三个阶段，电影《女神异闻录》是转折点之一。使用一种新的数字帧分析技术，在他对爱情场景的分阶段中，他对演员动作和相机动作的处理方式的发展也出现了其他观点，这引发了所谓的伯格曼签名镜头。另一个发现是伯格曼的两部最著名的电影Det sjunde inseglet和Smultronstället在他的作品上在风格上都是异常的。电影《女神异闻录》成为转折点之一。使用一种新的数字帧分析技术，在他对爱情场景的分阶段中，他对演员动作和相机动作的处理方式的发展也出现了其他观点，这引发了所谓的伯格曼签名镜头。另一个发现是伯格曼的两部最著名的电影Det sjunde inseglet和Smultronstället在他的作品上在风格上都是异常的。电影《女神异闻录》成为转折点之一。使用一种新的数字帧分析技术，在他对爱情场景的分阶段中，他对演员动作和相机动作的处理方式的发展也出现了其他观点，这引发了所谓的伯格曼签名镜头。另一个发现是伯格曼的两部最著名的电影Det sjunde inseglet和Smultronstället在他的作品上在风格上都是异常的。