ABSTRACT Starting from a reflection on Erving Goffman's notion of strategic interaction, this contribution discusses a number of paintings, all completed between 1433 and 1478, to argue that the haptic gaze in painting probably emerged between those dates. The emergence of the haptic gaze – i.e. the gaze that touches and senses, inquires, inspects and surmises – announces the gradual crystallization of a burgher form of life in which responsiveness and an uneasy emotive mix of entrepreneurship and caution all come to subtly structure modes of social behaviour and interaction. This, to use other words, represents the birth of what one could call tactile modernity. In this emerging form of life, law suddenly becomes mobile: it forms in and through responsive, tactile and tactical movements, which, in turn, are constantly trying to sense law's contours.

中文翻译：

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当法律开始流动时：范艾克的《红色头巾的男人》（1433）和达·墨西拿的男性肖像系列（1474-1478）之间的触觉凝视的诞生。

摘要从对欧文·高夫曼（Erving Goffman）的战略互动概念的反思开始，本贡献讨论了许多在1433年至1478年之间完成的画作，以论证绘画中的触觉凝视可能出现在这些日期之间。触觉凝视的出现，即触摸和感知，探究，检查和推测的凝视，表明了一种日渐丰富的生活形式的逐渐结晶，在这种形式中，响应能力，企业家精神和谨慎情绪的不愉快混合都构成了以下方面的微妙结构模式：社会行为和互动。换句话说，这代表了所谓触觉现代性的诞生。在这种新兴的生活形式中，法律突然变得可以移动：它形成于并通过响应性，触觉和战术运动形成，并反过来不断地试图感知法律。