ABSTRACT The famous Anglo-American poet W. H. Auden held a summer residence in a small village near Vienna from 1958 until his death in 1973. In 1995, the attic of his house was opened as a local museum dedicated to the writer. And in 2015, a relaunch of the exhibition tried to bring the heritage of Auden back to presence. A major challenge for the new installation was to integrate education in the curatorial process, for there is no staff on-site. The visitors to the museum are divided into locals, passers-by, and Auden-aficionados from all over the world. Due to this mixed visitorship, the new conception had to strike a balance between different expectations and, last but not least, between the fascinating aura of the original place and the danger of reproducing local Auden-folklore. Eventually, it is the visitors’ presence that keeps the museum alive, as they bring their experiences and personal connection to Auden’s life, work, and place.

中文翻译：

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创客之家的制作。从游客的角度看基希施泰滕的奥登博物馆

摘要 著名的英美诗人 WH Auden 从 1958 年到 1973 年去世，一直在维也纳附近的一个小村庄举行夏令营。1995 年，他家的阁楼作为当地作家的博物馆开放。2015 年，展览的重新启动试图让奥登的遗产重新出现。新装置面临的一个主要挑战是在策展过程中整合教育，因为现场没有工作人员。博物馆的参观者分为当地人、路人和来自世界各地的奥登爱好者。由于这种混合的游客，新概念必须在不同的期望之间取得平衡，最后但并非最不重要的是，在原始地方的迷人光环和复制当地奥登民间传说的危险之间取得平衡。最终，