ABSTRACT This essay considers how street protest, a nearly ubiquitous presence in the past decade during Brazil’s political turmoil, deconstructs twentieth century mythologies of racial mixing while potentially generating new myths. I analyze protests that dramatize racist and elitist attitudes over public space in São Paulo, Brazil. Demanding access to public transportation and luxury shopping, protestors use sites of exclusion as a dramatic element essential to their messages. From white hipsters to black university activists, to adolescents on the urban periphery, these urban actors perform various choreographies of exclusion, using their bodies to dramatize class and racial differences that they are protesting. While protests exposes and sometimes disrupt the entrenched arrangements of interracial and cross-class encounter within spaces of mobility and consumerism, protest choreographies recruit protestors and spectators alike into contradictory relationships.

中文翻译：

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编排排除：圣保罗的抗议，种族和地方

摘要本文探讨了街头抗议活动，这是过去十年来巴西政治动荡期间几乎普遍存在的抗议活动，如何解构二十世纪的种族融合神话，同时又可能产生新的神话。我分析了抗议活动，这些抗议活动使巴西圣保罗的种族主义和精英主义者对公共空间的态度戏剧化。抗议者要求使用公共交通和奢侈品购物，因此将排斥的站点用作传达其信息的重要要素。从白人潮人到黑人大学激进主义者，再到城市边缘的青少年，这些城市演员表演各种舞蹈编排，利用他们的身体来戏剧化他们所抗议的阶级和种族差异。