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The Poetry of Bohdan-Ihor Antonych and Zuzanna Ginczanka in the Context of European Modernism
Kyiv-Mohyla Humanities Journal ( IF 0.2 ) Pub Date : 2019-12-23 , DOI: 10.18523/kmhj189067.2019-6.177-190
Khrystyna Semeryn

This article compares the poetry of two prominent modern writers: Polish-Jewish poetess Zuzanna Ginczanka (Sara Ginzburg, 1917–1945), and Ukrainian Lemko poet Bohdan-Ihor Antonych (1909–1937). They are believed (by Yaroslav Polishchuk et al.) to have certain poetic, stylistic, thematic, and literary similarities. The main discourses of their poetic imaginum mundi are studied with the use of a simple formula that includes five components. Tracing the interplay of nature, childhood, religion, and civilization in the development of an image of a holistic personality in their poetry, I analyze their common and differing ideas, images, motifs, and themes. The article also outlines the underlying similarities of both poets, i.e., their otherness, and their references to childhood as a certain place in their poetry.

中文翻译:

欧洲现代主义语境下的波丹·艾荷·安托尼奇和祖赞纳·金赞卡诗歌

本文比较了两位著名现代作家的诗歌:波兰犹太裔女诗人祖赞娜·金赞卡(Sara Ginzburg,1917-1945)和乌克兰伦姆科诗人Bohdan-Ihor Antonych(1907-1937)。他们(被雅罗斯拉夫·波兰楚克等人认为)具有某些诗意,风格,主题和文学上的相似之处。通过使用包含五个成分的简单公式,研究了他们的诗意想象世界的主要论述。通过在诗歌整体形象的发展过程中追踪自然,童年,宗教和文明之间的相互作用,我分析了他们的共同点和不同点子,意象,主题和主题。文章还概述了两位诗人的内在相似之处,即他们的相异性,以及他们对童年作为诗歌中某个特定位置的提及。
更新日期:2019-12-23
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