Berghaus’ volume by the simple strategy of listing all the countries in alphabetical order, thus avoiding standard Eurocentric hierarchies. A fuller and more realistic history must evidently include the relevant global versions of futurism and other -isms. That is convincingly demonstrated in this volume. After reading through this Handbook of International Futurism and comparing chapters on different countries one is left with a stimulating sense ofnotonly the global reachof futurism, but also the richness and versatility of perspectives raised by the range of essays viewing futurism from different corners of the earth.

中文翻译：

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附加表格：Designkritik och designpraktik i Sverige 1860–1890

Berghaus通过按字母顺序列出所有国家/地区的简单策略，避免了标准的以欧洲为中心的层次结构。更完整，更现实的历史显然必须包括有关未来主义和其他主义的全球版本。这本书令人信服地证明了这一点。在阅读了《国际未来主义手册》并比较了不同国家的章节之后，人们不仅对全球未来主义有一种激动人心的感觉，而且从世界不同角度看待未来主义的各种论文所提出的观点也具有丰富性和多功能性。