seum, Stockholm). The two artists and friends worked simultaneously on these paintings, and they both used lighting effects to give an otherworldly aspect to royal ceremonies and the church interiors in which they took place. For Pilo’s painting, Christensen convincingly argues an influence from Jürgen Oven’s paintings of the marriage of Karl X Gustav and Hedvig Eleonora, dating from the s (Nationalmuseum, Stockholm), as well as his studies of Rembrandt’s art, which began to have an impact on his painting from the s. Despite a few mistakes concerning Swedish history, the wide scope of Drømmebilleder means that it can also be read as an engaging introduction to many aspects of the cultural history of eighteenth-century Scandinavia. It is especially interesting to note the many similarities of the building projects, patronage and collecting of the court and élite of Copenhagen and Stockholm. Influences and competition within the arts between the old arch-enemies Denmark and Sweden – including the taking of war booty in the previous century – was a longstanding phenomenon, but its continuation and development in the eighteenth century deserve further study. Pilo’s joy in painting is reflected in Charlotte Christensen’s writing; her biography of the artist is an enthusiastic labour of love, of Pilo, of the Danish eighteenth century, and of the painter’s craft. Drømmebilleder is thus not only instructive, but great a pleasure to read.

中文翻译：

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文学

seum，斯德哥尔摩）。两位艺术家和朋友同时处理这些画作，并且他们都使用灯光效果使皇家仪式和他们所在的教堂内部具有超凡脱俗的外观。对于皮洛的绘画，克里斯滕森令人信服地论证了尤尔根·奥文（JürgenOven）的绘画对卡尔·古斯塔夫（Karl X Gustav）和赫德维格·埃利奥诺拉（Hedvig Eleonora）的婚姻的影响（可追溯到s（国家博物馆，斯德哥尔摩）），以及他对伦勃朗艺术的研究。 对他的画有影响。尽管在瑞典历史上存在一些错误，但Drømmebilleder的范围广泛，这也可以看作是对18世纪斯堪的那维亚文化历史许多方面的引人入胜的介绍。注意到建筑项目的许多相似之处特别有趣，哥本哈根和斯德哥尔摩法院和精英的光顾和搜集。丹麦和瑞典这两个老敌人之间在艺术领域的影响和竞争（包括上个世纪的战利品的抢夺）是一个长期存在的现象，但在18世纪它的延续和发展值得进一步研究。皮洛对绘画的喜悦反映在夏洛特·克里斯滕森（Charlotte Christensen）的著作中。她的传记是对爱，皮洛（Pilo），丹麦18世纪以及画家手工艺的热爱。因此，Drømmebilleder不但具有启发性，而且使阅读感到非常高兴。丹麦和瑞典这两个老敌人之间在艺术领域的影响和竞争（包括上个世纪的战利品的抢夺）是一个长期存在的现象，但在18世纪它的延续和发展值得进一步研究。皮洛对绘画的喜悦反映在夏洛特·克里斯滕森（Charlotte Christensen）的著作中。她的传记是对爱，皮洛（Pilo），丹麦18世纪以及画家手工艺的热爱。因此，Drømmebilleder不但具有启发性，而且使阅读非常愉快。丹麦和瑞典这两个老敌人之间在艺术领域的影响和竞争（包括上个世纪的战利品的抢夺）是一个长期存在的现象，但在18世纪它的延续和发展值得进一步研究。皮洛对绘画的喜悦反映在夏洛特·克里斯滕森（Charlotte Christensen）的著作中。她的传记是对爱，皮洛（Pilo），丹麦18世纪以及画家手工艺的热爱。因此，Drømmebilleder不但具有启发性，而且使阅读感到非常高兴。