Through the radical use of the sheer materiality of the artwork, including her own body, Janine Antoni intends a profound encounter between herself, the artwork and the viewer. The work of art becomes thereby a critical concept of reflection and an occasion for reflexive thinking regarding the identity of the subject in the contemporary postmodern consumer society. This essay examines where and how in the art historical reception is Antoni’s sculpture and performance art portrayed, due to its display of materiality, as a locus of reflection on the constitution of subjectivity.

中文翻译：

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我的身体是您的交通工具：物质反射自den Werken von Janine Antoni中的行为

通过彻底使用艺术品的纯粹物质，包括她自己的身体，珍妮·安东尼（Janine Antoni）打算在自己，艺术品和观众之间进行一次深刻的相遇。因此，艺术品成为反思的批判概念，是反思当代后现代消费社会中主体身份的反思性场合。本文探讨了安东尼的雕塑和行为艺术在艺术历史接收中的位置和方式，由于其表现出的物质性，被描绘为对主体性构成的反映。