Antoni Tàpies conferred new meanings to everyday things through his singular creative processes and material-object arrangements. Moreover, he brought the objects, materials, and subjects of art into a sensorial and intellectual play to achieve a sui generis view of art. The analysis of his hybrid conception of artwork has three points of exploration. First, he questioned the character of the thingness of artwork as well as thingness in work of art. Second, his artistic creations achieved an exceptional sense of playfulness through the recontextualisation of words, things, everyday objects, and matter. Third, influenced by East Asian aesthetic schools of thought, Tàpies’ works of art display change and transience as the essence of material things, which are, together with the idea of hybrid or hybridisation, the protagonists of his art. At the same time, Tàpies invited the audience of his art to question its meaning, to be its cocreator, and to meditate on it.

中文翻译：

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安东尼·塔佩斯（AntoniTàpies）的混合艺术作品概念：事物，嬉戏和体验

安东尼·塔佩斯（AntoniTàpies）通过他独特的创作过程和物质对象的安排赋予日常事物新的含义。此外，他将艺术的对象，材料和主题带入感官和智力游戏中，从而获得了独特的艺术观。对他的混合艺术观念的分析有三点探索。首先，他质疑艺术品的本质以及艺术品中的事物。其次，他的艺术创作通过将文字，事物，日常物品和事物重新关联化，获得了一种特别的嬉戏感。第三，在东亚美学流派的影响下，塔佩斯的艺术作品将变化和短暂性视为物质事物的本质，再加上杂种或杂种的观念，他的艺术成为主角。