Summary This article focuses on the concept of “monomyth” or “the hero’s journey”, applied to the character of Satan in the poem Paradise Lost (1667) by John Milton and Roland in the saga of contemporary fiction The Dark Tower (1982-2012) by Stephen King. We observe the peculiarities of these writings, paying special attention to their structures, whose meanings contribute to the creation of the characters and to the way in which the narrative scheme of separation-initiation-return works in both cases.

中文翻译：

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英雄之旅：英国史诗中的弥尔顿撒旦反对美国虚构西部的国王罗兰

总结 本文重点讨论“monomyth”或“英雄的旅程”的概念，应用于约翰·米尔顿和罗兰在当代小说《黑暗塔》（1982-2012）的诗歌《失乐园》（1667）中的撒旦角色）斯蒂芬·金。我们观察这些作品的特殊性，特别注意它们的结构，它们的意义有助于人物的创造以及分离-起始-返回的叙事方案在这两种情况下的运作方式。