ABSTRACT Romantic impulses govern the fraught, family histories in these poems on conflicts that disrupt or threaten loss to lovers. In Isabella Keats explores a young woman’s resistance to her brothers’ machinations. In The Eve of St. Agnes Madeline confronts an uncertain future, either in her family’s bastion or in Porphyro’s domains. The attention to romantic energy in both poems discloses Keats’s entrance into the manners, attitudes, striking poses that dominate the participants in mercantile and feudal realms. To what these participants say and do, he contributes elements of dirge, musical instruments, furnishings, stark landscapes, and historic accounts of cruelties and exploitation. Mythical allusion, unexpected humour, dream dialogue contribute to the embrace of the inexplicable. The texture of the poems argues that Keats’s engagement with family history is a recognition that the milieus he creates have an afterlife, that the recovery of an imagined past is not limiting but has currency for his own time future generations. His engagement with family history also draws him to his own circumstances, for, he turns to his own romantic desires, writing to George and Georgianna Keats that he believes that he will be among the English poets.

中文翻译：

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济慈的家庭历史意识：伊莎贝拉与圣艾格尼丝前夕

摘要在这些诗歌中，浪漫的冲动支配着饱受折磨的家庭历史，讲述了那些破坏或威胁恋人损失的冲突。在伊莎贝拉济慈（Isabella）中，济慈探索了一位年轻女子对她兄弟的阴谋的抵抗。在圣艾格尼丝前夕，玛德琳在家庭的堡垒或波尔菲罗的土地上面临着不确定的未来。两首诗中对浪漫能量的关注都揭示了济慈进入礼节，封建领域的参与者的举止，态度和醒目的姿势。对于这些参与者的言行，他贡献了饮酒，乐器，家具，鲜明的风景以及对残酷和剥削的历史记载。神话般的寓言，意想不到的幽默，梦dialogue以求的对话，助长了莫名其妙的拥抱。这首诗的结构表明，济慈对家庭历史的参与是对他创造的环境具有来世的认可，对想象中过去的恢复并没有限制，但对于他后代来说却是有钱的。他对家族史的参与也吸引了他自己的处境，因为他转向自己的浪漫欲，写信给乔治和乔治安娜·济慈，他相信自己将成为英国诗人之一。