ABSTRACT

This study aims to extend the existing academic accounts on Belarus and provides an in-depth cultural discourse analysis of Belarusian meta-cultural commentary on public creativity. I focus on the discursive hub of identity which is expressed and characterized by the informants through the discursive hubs of acting and relating. Additional cultural and historical background on Belarus is considered to capture the complexity of meanings behind the cultural codes and indigenous terms about identity. This approach allows the analyst to show the historical contingency of the oppositional codes underlying the modern-day ideas about identity in the Belarusian discourses about public creativity.

摘要

这项研究旨在扩展关于白俄罗斯的现有学术研究，并对白俄罗斯关于公共创造力的元文化评论进行深入的文化话语分析。我关注的是身份的话语中心，由举报人通过行动和联系的话语中心来表达和表征。人们认为，有关白俄罗斯的其他文化和历史背景可以捕捉到文化规范和土著身份术语背后的含义的复杂性。通过这种方法，分析人员可以在白俄罗斯关于公共创造力的论述中显示出反抗法则的历史偶然性，这些反面法则是现代身份认同观念的基础。