One of the longstanding mysteries of English poetry is the identification of the “two-handed engine” from John Milton’s 1638 poem “Lycidas,” with which Saint Peter threatens to “strike once, and strike no more” the clergy who have been remiss in their duties. A new way of looking at the image is to read the entire passage with George Lakoff and Mark Turner’s theory of conceptual metaphors in mind. The strength of this approach is to show that identification of the two-handed engine should be considered within the context of the entire poem. As many commentators have argued, Lycidas’s posthumous fate as the “genius of the shore” does not rest solely in the actions of Saint Peter, but instead involves a reconciliation that amalgamates elements of both Christianity and the classical world as well as nature. The conceptual metaphor thus provides a single combinatory image.

中文翻译：

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米尔顿的双手引擎作为概念隐喻

长期以来，英国诗歌的奥秘之一就是约翰·弥尔顿（John Milton）1638年的诗《利基达斯》（Lycidas）中的“双手引擎”。圣彼得扬言要“罢工一次，再也罢工”，这些牧师在他们的职责。一种查看图像的新方法是在牢记乔治·拉科夫和马克·特纳的概念隐喻理论的基础上阅读全文。这种方法的优势在于表明，应该在整首诗的语境中考虑对双手引擎的识别。正如许多评论家所争论的那样，吕底达斯的死后命运是“海岸天才”，不仅取决于圣彼得的举动，还包括和解，将基督教，古典世界以及自然的元素融合在一起。