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Deciphering and Embodying Contemporary Piano Scores: A Commentary on Huisman, Gingras, Dhondt, and Leman (2017)
Empirical Musicology Review ( IF 0.6 ) Pub Date : 2017-09-26 , DOI: 10.18061/emr.v12i1-2.5304
Jennifer MacRitchie

Rehearsing a new contemporary notated piano score often requires the performer to dedicate a large amount of time to translating the notation: tasks may include interpreting new symbols, or old symbols in new contexts, learning new extended techniques, and learning the link between symbol and physical gesture. Huisman et al's article details an experiment that studies the use of various types of music editions and their effect on the practice and performance of contemporary piano music scores. This commentary considers the following issues when discussing the interpretation of unfamiliar piano scores: 1) issues in reading notation that arise from performance practice challenges, 2) cultivating an interpretive platform, and 3) embodiment in the rehearsal of a new, contemporary score.

中文翻译:

诠释和体现当代钢琴乐谱:关于豪斯曼,金格拉斯,邓特和勒曼的评论(2017)

排练新的当代被标记的钢琴乐谱通常需要表演者花费大量时间来翻译该标记:任务可能包括在新的上下文中解释新的符号或旧的符号,学习新的扩展技术以及学习符号与物理之间的联系。手势。Huisman等人的文章详细介绍了一个实验,该实验研究了各种类型的音乐版本的使用及其对当代钢琴音乐乐谱的实践和演奏的影响。在讨论不熟悉的钢琴乐谱的解释时,此评论考虑以下问题:1)由于演奏练习挑战而引起的阅读符号方面的问题; 2)培养解释性平台; 3)排练新的现代乐谱时的体现。
更新日期:2017-09-26
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