Kock and Louven (in this issue) examined the effects of music, sound effects, full sound design (music and sound effects) and no sound on self-reported measures of immersion and suspense in real time, as viewers watched very brief original films. This commentary discusses the method, analysis, and implications of their findings within the broader context of the state of the art of film music research, and future directions for investigations in this area.

中文翻译：

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研究电影中的声音设计：《关于考克和罗文的评论》

当观众观看非常简短的原创电影时，Kock和Louven（本期）检查了音乐的效果，声音效果，完整的声音设计（音乐和声音效果），并且没有声音对自我报告的沉浸感和悬念进行实时测量。这篇评论在电影音乐研究的最广泛背景下讨论了他们的发现的方法，分析和含义，以及该领域研究的未来方向。