Abstract One Buzzy Evening (2017) for tenor trombone and percussion is a creative musicological work that explores the gradual transformation of limited motivic ideas, both rhythmic and melodic. Moving from a percussive sound world to a mixture with melodic sounds, the piece attains structural logic by foregrounding its dialogic character in the form of call and response and/or imitations, as well as through pointillism. It simulates the Kiganda xylophone technique in the vibraphone and, more interestingly, employs a distorted version of a pentatonic scale. In doing so, the piece blends indigenous Kiganda musical idioms and processes, as well as Western techniques, while intentionally concealing the former.

中文翻译：

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One Buzzy Evening (2017) 男高音长号和打击乐

摘要 男高音长号和打击乐的一个喧闹的夜晚 (2017) 是一项创造性的音乐学作品，探索有限的动机思想的逐渐转变，包括节奏和旋律。从打击乐的声音世界转变为与旋律声音的混合，这件作品通过以呼叫和响应和/或模仿的形式以及点彩画的形式突出其对话特征来实现结构逻辑。它模拟了颤音琴中的 Kiganda 木琴技术，更有趣的是，它采用了五声音阶的失真版本。在这样做的过程中，该作品融合了本土的基干达音乐习语和过程，以及西方技术，同时有意隐藏了前者。