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(Residual) Public Music Radio in the Streaming Era: Listening for Diversity and Frequency on CBC Music
Journal of Radio & Audio Media ( IF 1.2 ) Pub Date : 2020-01-02 , DOI: 10.1080/19376529.2019.1660661
Brian Fauteux

The aim of this article is to assess whether and how the CBC’s music radio programming reflects the corporation’s mandate of showcasing a diversity of music and culture. I argue that a program logic that privileges an international corporate music industry strategy persists (particularly during the peak morning and afternoon drive time programs) and limits the capacity for public radio to imagine and project alternative musical trajectories. My aspiration is to imagine CBC Music’s over-the-air radio as a residual broadcast service, one that presents novel opportunities at a time when digital and online streaming music is dominant.

中文翻译:

流媒体时代的(残留)公共音乐电台:收听CBC音乐的多样性和频率

本文的目的是评估CBC的音乐广播节目是否以及如何反映该公司展示各种音乐和文化的使命。我认为,特权国际企业音乐产业战略的计划逻辑一直存在(尤其是在高峰时段,在下午和下午的开车时间计划中),并限制了公共广播电台想象和规划其他音乐轨迹的能力。我的愿望是将CBC Music的无线广播想象成一种残余广播服务,在数字和在线流媒体音乐占主导地位的同时,它提供了新的机遇。
更新日期:2020-01-02
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