This article examines the representation of pirate radio and sonic borderscapes in Richard Curtis’s film The Boat That Rocked (UK, 2009), a comedy set in the heyday of offshore pirate radio operating beyond national borders in the 1960s. The article applies the critical concept of the borderscape, this is, a space where different border-related phenomena emerge, to show how established narratives of nation and community are challenged from the margins by using the image of pirate radio as a maker of new border-crossing sounds that transform established ideas of community and belonging.

中文翻译：

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理查德·柯蒂斯 (Richard Curtis) 的电影《惊涛骇浪》(2009) 中的 Sonic Borderscapes

本文研究了 Richard Curtis 的电影The Boat That Rocked （英国，2009 年）中海盗电台和声音边界的表现，这是一部以 1960 年代海外海盗电台在海外运营的鼎盛时期为背景的喜剧。这篇文章运用了边界景观的批判性概念，这是一个出现不同边界相关现象的空间，展示了如何通过使用海盗电台作为新边界制造者的形象从边缘挑战国家和社区的既定叙事。 - 改变社区和归属感的既定观念的交叉声音。