Abstract: Drawing on Stephen Prince's concept of “perceptual realism”' to examine the use of computer-generated images in two megahit Korean blockbuster films of 2014, The Admiral: Roaring Currents and Ode to My Father, this article underlines these films' impression of reality as the nexus of the complex intersections between Korea's national history and identity, and the industrial and aesthetic transnationality of Korean popular cinema.

中文翻译：

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2010年代韩国大片中的感性现实主义和数字VFX：海军上将：咆哮的浪潮和父亲的颂歌

摘要：借鉴斯蒂芬·普林斯（Stephen Prince）的“感知现实主义”概念，研究了2014年两部大受欢迎的韩国大片《海军上将：咆哮的浪潮》和《父亲的颂歌》中计算机生成图像的使用，本文强调了这些电影对电影的印象现实是韩国民族历史和身份与韩国流行电影的工业和美学跨国性之间复杂交汇点的纽带。